8/10Developer: Rundisc | Released: 2023 | Genre: Adventure, Point & Click

This game received an overwhelmingly positive user rating on Steam. Although I agree it was very well done, with a amazing drawn style that reminded me of both Sable and the graphical novel art by Moebius, and an intriguing climb of the tower of babel while deciphering glyphs to understand the languages of the people living there, it did have a few things that dragged it down ever so slightly for me.

As a true point-and-click adventure with a minimal inventory, I had to walk around and collect more glyphs from people and objects. After watching some of them used in situations that could give a hint about what they mean, a notebook is opened with about 3-6 glyphs and a few drawings. Time to guess what that set means. The more glyphs guessed, the easier it is to understand what you need to do on that level.

There are about five levels to climb in the enormous tower, and each level have several interconnected locations like in oldskool adventure games. It’s not just clicking objects to pick up and use, sometimes there are genuine stealth sequences too. Typically a ghostly destination figure is shown that, when clicked, makes your characters sneak over there – hopefully without being spotted.

8/10Developer: Starward Industries | Released: 2023 | Genre: Adventure, Facile

Take the excellent Firewatch, throw it in a blender together with Lifeless Moon, maintain the first person perspective, hit the blender button – and you’ll end up with something much like The Invincible.

The game is based on a science fiction novel by Stanisław Lem.

As Yasna, a female astronaut originally party of a small team landing on a barren planet, you wake up in the sand much like Matt Damon did in The Martian – albeit with amnesia. Thankfully the amnesia part is not a significant part of the game. Soon she remembers most of what she needs to remember, except for the main purpose of the game – where to find the other astronaut team members.

It doesn’t take long until she has another person on the radio that she talks to throughout most of the game. Commander Novik is in orbit and can only hear what she is doing – she has to describe the things she finds. Often this evolves into interesting discussions, and sometimes they even get mad at each other. If you have played Firewatch, this is the part that reminded me so much of that game.

8/10Developer: The Brotherhood | Released: 2023 | Genre: Adventure, Point & Click

I loved the original STASIS from 2015. The free expansion CAYNE from 2017 was okay, but not amazing. But it still entertained me and in the end it felt like a decent DLC. So when I learned that The Brotherhood had released a sequel to the first game, I was quite excited. It had received overwhelmingly positive reviews from most users on Steam. I was sure to be pleased with this one.

But not at first. There were problems. In fact, there were a lot of problems.

A lot of features from the previous games were there. It was an isometric point-and-click adventure game taking placed in dilapidated surroundings, sometimes with macabre human corpses to be found. Again, the abundance of PDA and their immense walls of text were there too, but that was also a problem with the other two games. Each PDA found had many tabs and the entries were not always that interesting.

Taking a cue from games such as e.g. Trine and Day of the Tentacle, there were two and very soon three characters to switch between at any point. It didn’t take long before they were separated for the majority of the game, but the quantum inventory still made it possible to share everything they found. At first I was happy to see a lot of banter and comments across the characters. It spiced up the game and the voice acting was terrific. For some reason, they could see what their companions could see.

9/10Developer: Terrible Toybox | Released: 2022 | Genre: Adventure, Point & Click

Ron Gilbert, the creator of the two first Monkey Island adventure games, was back with his own take on a continuation of the bizarre ending of the second game. I had played the original games in the 90’s and then the two sequels in 2000 and 2001. So it was a Return to Monkey Island after more than 20 years.

At first, the game felt a little light on puzzles and the dialog didn’t seem quite up to par in the beginning, but it felt like both the puzzles and the dialog got better as the game went on. Or maybe I just warmed up to it. After the full five parts of the game, I must say that the story ideas and the dialog is right up there with the original games. Lots of twists and many chuckles to be had. Ron Gilbert certainly still got it.

I had my worries about the stylized 2D graphics and even didn’t like them in the images I saw in reviews before playing the game. But when I actually played the game, I immediately accepted it. There’s something to be said about how the animation worked together with the art style. That being said, it’s very much an acquired taste. All I’m saying is you should see it move before you decide.

8/10Developer: Out of the Blue | Released: 2020 | Genre: Adventure, First Person

A lovely first person adventure game made in the Unreal Engine. I was in control of Norah in 1934 looking for her lost husband Harry on an exotic island. It didn’t take long before it delved deep into an epic fantasy story with light Myst-like puzzles. Norah was carrying a notebook with her and drew important clues into it, so it was rarely necessary for me to write down my own notes. There was no inventory either.

The puzzles were not too difficult yet not a walk in the park either. The wonderful fantasy settings involving ancient alien temples and even diving under water as as sea creature kept the story intriguing all the way through. The voice actor for Norah was great, and she was commenting on everything I found. There must have been thousands of lines of dialog just for her.

If you like first person adventure games, this one is definitely recommended.

8/10Developer: Eastshade Studios | Released: 2019 | Genre: Adventure, Paint

In my backlog at GameDeed.com, I described this game as a peaceful open world exploration-adventure. It was pretty apt. As a mute protagonist I was washed ashore in a landscape with a town and a city, populated by affable humanoids with animal heads. Apes, owls, bears, deer.

The protagonist was a skilled painter and thus the overall goal was to get quests and commissions for naturalistic painting. There were also a lot of side quests of almost any kind, crafting, fishing, and even a little touch of survival thrown in for good measure. The open world was big enough to warrant many hours of exploration, yet it was also small enough that I could run from one end to another in a few minutes.

To put is shortly, it felt a lot like a lighthearted first person Elder Scrolls game without the combat.

The first town Lyndow was just a few houses. Most quests earned glowstones which was the currency in the game. A nice deviation was when a completed quest taught me how to craft something new. The user interface for crafting and keeping track of quests was logical and easy to use. By far the most used crafting option was of course combining boards and fabric to create a canvas for painting.

Walking around, meeting people in the world and doing various quests for them, felt good and relaxing, and the game was certainly commendable in that regard. If anything, it was a little too lighthearted a times, particularly in the beginning where it felt like a game for kids. This does ease off later, but sometimes I was also missing a bit of combat to spice things up.

I never thought I would ever see myself type that sentence.

Maybe that yearning for combat was because of how much the game looked like an open world RPG with all combat stripped out, rather than casual exploration closely related to pure adventure games.