The Talos Principle

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Developer: Croteam | Released: 2014 | Genre: Puzzle, First Person

March 4, 2020

I’ve played a couple of hours of this first person puzzle game. It’s quite long – about 15-30 hours depending on your puzzle fu – and I’ve decided that the game is too samey to warrant completing. Also, I’ve heard a rumor that there’s a countdown in the end. Groan.

But other than that, I actually liked a lot about it. I’ve had it a long time in my backlog with comments about it being sort of a spiritual sibling to The Witness, but that’s not quite warranted. It has actually much more in common with the Portal series, spawning and moving stuff in small areas to get the sigil.

Playing as a robot in first person, I was spawned in environmental ruins that looked like the perfect home for Serious Sam. This was not too surprising as it’s the same developer. Using the same type of level design and even the fast walk and sprint speeds seemed a bit lazy to begin with, but it looked good and ran very smoothly in 4K resolution on my five year old PC.

Short Sessions, Part 1

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During my time on Steam, I’ve received the odd game here and there that didn’t necessarily align with my own taste in genres. It may have been free games, games given to me by a friend that had several keys of the same game to give away, or games that for other reasons just kind of popped up in e.g. my Steam library without me knowing how they ever got there in the first place.

Instead of just discarding these game straight away, I thought I might at least play them for about half an hour or so, now that I have them anyway. Who knows, maybe one of them would turn out to be a surprise that I would actually want to finish.

This will be the first in a series of blog posts.

The Book of Unwritten Tales

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Developer: King Art | Released: 2009 | Genre: Adventure, Point & Click

I played roughly the first two and a half hours of this one before I called it quits. It was an oldskool point-and-click fantasy adventure with good voice acting and excellent backgrounds. It was also quite easy. You could hold down space to reveal all hotspots, and although inventory items were aplenty, the cursor only went red when something could be combined or used on a hotspot.

This also got rid of the dismissing comments for trying everything. Everybody wins.

In fact, the adventure game was so charming and relaxing that I understand all the praise it has received in reviews. I know this is starting to become a cliché, but had this been 15-20 years ago, I would have swallowed this game whole. But today, I’m worn out on adventure games and it has to offer something really special to keep me in the zone. And that was the problem with this game. Although it did have its moments of inspired ideas, there were not enough of them, and the dialogs were missing a little more of the reckless quality found in the classics.

In other words, the game was missing a bit more bite.

Outlast

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Developer: Red Barrels | Released: 2013 | Genre: Adventure, Horror

I played over an hour of this horror sneaker, up until I was given an injection and put in a small cell. That was after the part where I had to restore power in the basement. I’m not a good demographic for horror games anymore, though. It takes a lot to scare an old geezer like me anymore. Sure, the jump scares can get me, but anyone can be surprised by a sudden shout in the neck.

Also, the hiding in the lockers reminded me too much of Alien: Isolation.

But the game was still well done. Good graphics, solid sound work, and the body awareness with hands and all was nice. Armed with only a camcorder, I could film stuff to take notes and switch on the night vision, which was frequently required in the often pitch black mental hospital. Sometimes there was a monster roaming an area, like the cellar where I had to turn on two gas pumps and a main breaker to restore power. Lots of sneaking and running around there.

There was a strange part in the beginning where I had to sneak past a few sitting brutes watching snow on a bloodstained television. They must have seen me, but they ignored me. I’m not sure if the fact that I had to do this was good design. If only I had felt the horror of this sequence.

Parallax

Developer: Toasty Games | Released: 2015 | Genre: FPS, Puzzle

Played about 30-40 minutes of this one, enough to complete up to and including chapter B-4.

The game was actually well made and with a an interesting puzzle mechanic. Although in the vein of first person puzzle games like Portal, there was no gun. Only running, clicking buttons and jumping. Interactive buttons could flip round portal mirrors (of which only one side could enter the negative realm) or bridges. In chapter B, speed boost pads were introduced. No doubt other cute gimmicks were awaiting in the later chapters, but after B-4, I decided to abandon the game.

As mentioned, it wasn’t the game – it was me.

The game was monochrome (black on white or vice versa depending on the realm) and had absolutely no story whatsoever. This was just level after level of short puzzle areas with hovering walkways. It made it feel a lot like a “VR training” feature in an extra menu option of a much larger game, and I’m usually yearning for more than that in the games I play. A story, an atmosphere – some kind of an experience.

Screenshot

I also had trouble creating a “mental image” of how a chain of flipped portal mirrors would open the way to the goal. I was afraid this might mean a lot of tedious trial and error awaiting in the later chapters.

Abandoned after 36 minutes.

TitleLengthDatesDiff / ChtSaveScore
Parallax
2015 Toasty Games

5h

1

2019-04-02
2019-04-02
8

Closure

Developer: Eyebrow Interactive | Released: 2012 | Genre: Platform, Puzzle

Played a few hours of this one.

It’s a colorless puzzle platform where only stuff being lit has substance. Darkness means falling and dying. The goal is simple – reach a door somewhere else, and sometimes bring a key to unlock it too. To help me out with lighting I can bring light orbs, place them in pedestals that sometimes move the orb somewhere else, turn hinged spotlights to shine elsewhere, and more. No enemies to dodge.

And sometimes I had to swim through water, but no oxygen was required.

After a brief tutorial with a four-legged creature, I came to sort of a hub with a choice between 3 x 24 doors with levels. Some static, some bigger and thus scrolling when needed. For each hub, the creature turns into someone else. One looks like a miner, one a woman, and one a small girl that even starts out in her room in a house. Music was much better than I expected – no chiptune stuff here.

Screenshot

I had trouble running it in 3840×2160. It showed a quarter of the screen with menu controls out of reach and I had to edit a configuration file to fix it. I then settled with a resolution of 2560×1440.

Most of the levels were reasonably easy and could be completed in a minute while some had me stumped for a few minutes. The game had a creepy atmosphere and I was constantly afraid of exploring with a light orb and suddenly falling. Hitting a lower level never meant death (no matter how far down) but falling into the black abyss meant retrying. It was also possible to lose a key or a barrel, forcing me to restart.

One thing I thought was very cute – definitely the charming gimmick about the game – was the way I could walk or stand on wall structures that were only partly lit. Because the continuation of the wall piece was in darkness, it didn’t exist and I could pass through. It took some getting used to, especially when having to follow an orb transitioning to somewhere else.

I never found out what the clock I sometimes found meant.

Abandoned after 1 hour 46 minutes.

TitleLengthDatesDiff / ChtSaveScore
Closure
2012 Eyebrow Interactive

8h

2

2018-12-05
2018-12-06
8

The Deer God

Developer: Crescent Moon Games | Released: 2014 | Genre: Platform, Adventure

This was one of those I pledged to on Kickstarter. I played about an hour of this game before I had seen enough. The retro pixel graphics had a wonderful depth of 3D parallax and the atmosphere was generally excellent, held up by weather effects and some nice music. It reminded me a little bit of Forbidden Forest on Commodore 64, and quite a lot of Superbrothers: Sword & Sworcery EP.

Screenshot

I was surprised about the level of complexity. Although the deer was mostly running and double-jumping, there were blocks to push, skills to put on an invisible action bar, even a quest about finding a monocle for an old man. I had to speed into bushes to see if it popped out of one. Speeding head on into things was also how most animals were killed. Hedgehogs, foxes, pigs, even human hunters – same attack. Or I could just jump over and outrun them. The deer grew older, the longer I went along without dying.

But dying is exactly where the game went wrong and I eventually didn’t bother to complete it. Although it did autosave here and there (mostly at the old mans huts) the distance back was way too long. At the end of the hour I continuously retried the same long trip half a dozen times, and I don’t consider myself all that much of a slouch when it comes to platform jumping. Okay, maybe sometimes, but not enough to warrant being punished by sending me that far back each time.

Abandoned after 0.9 hours.

TitleLengthDatesDiff / ChtSaveScore
The Deer God
2014 Crescent Moon Games(0h 49m) 1
2015-10-04
2015-10-04
6